Do we choose plates, halls, rooms, weird verbs, lots of pre-delay, no pre-delay, heavily weighted early reflections, late reflections - oh my… But how do you get that perfect extra-extra special magical magic that takes the listener’s breath away? With all the options for reverbs and all the variable parameters within a reverb, it can seem overwhelming.
Ah, reverb, the sound of space - the extra special magic that takes a sound and creates a universe around it.